Prompt: minimal matte painting of busy downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective. Shadow and lightning study
Prompt: minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
Prompt: minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Drone perspective
Prompt: minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
Prompt: minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
Prompt: matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Drone perspective
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy raining Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy, heavy raining San Francisco architecture, set 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy, heavy raining San Francisco architecture, set 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy raining cyberpunk Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
Negative: New York
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Subject is foreground
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop entrance with customers. Retro lights. Isometric composition
Negative: New York
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Lighting study. Cinematic lighting. Beautiful composition
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. Top down drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: broad brush matte painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Isometric
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Comic Book
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Tile Texture
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Fantasy Art
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
Negative: New York
Style: Fantasy Art
Prompt: broad brush matte painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: oil painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: oil painting of cyberpunk downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: a painting of a police raid, during which police confiscates cash, in Chicago, late at night, 1920s, Art Deco architecture and fashion, minimal, sophisticated, beautiful, clean, high quality, professional, correct perspectives, correct proportions, in the style of Edward Hopper
Negative: missing limbs, extra limbs, cars, crowded streets, short building, visible sky, skyline, natural light, poor, vague, fuzzy, grainy
Style: Digital Art
Prompt: San Francisco Downtown, sunset, flat design poster, minimalist, modern, 4k, epic composition, flat vector art illustration, stunning realism, long shot, unreal engine 4d
Prompt: view of the dark dystopian noir american city where each building has a different architectural style, Cinematic, Night Vision, Dark Mode, 4k, CMYK, Lonely, Evil, composition golden ratio
Negative: Animals, people, waterfall, river, bridge, man, human, person
Style: Digital Art
Prompt: San Francisco Downtown, sunset, flat design poster, minimalist, modern, 4k, epic composition, flat vector art illustration, stunning realism, long shot₩
Prompt: Cinematic low Angle Shot, Lipsticks reveal themselves from the windows of the tall buildings, one by one.
Style: Digital Art
Prompt: noir dark futuristic dystopian city all the buildings in this city are different from each other they were built in different styles and by different architects, view from the window of a dark room in a building, Cinematic, Night Vision, Dark Mode, 4k, CMYK, Lonely, Evil, Photorealistic
Negative: Animals, people, waterfall, river, bridge, man, human, person, neon
Style: Digital Art
Prompt: New York Cityscape, Medium: Digital Art, Style: Fusion of Hopper's realism and Wong Kar-wai's filmic color tones, Lighting: Neon signs and street lights of a city night, Color: Contrast between modern architecture and vibrant neon lights, Composition: Capturing unique angles and street elements of the cityscape.
Prompt: A surreal flash photograph of an ultimate architectural paradox, structures floating in mid-air defying gravity, with intricate details in the style of Dali or Ernst, lit by dramatic flash lighting that accentuates form and casts deep shadows, fusing reality with imagination, by Man Ray, Laszlo Moholy-Nagy or Charles Sheeler, masterfully composed, technical perfection capturing the surreal moment in crisp focus, surrealist genre, massive scale, trending on Unsplash.
