Prompt: The Philippines is the third largest marine plastic polluter in the world. The main concept of Wall-E is to find life in wastelands. It is named after a series of walls that connect and provide a foundation for the settlements in the area. These sunken fortifications now serve as sidewalks, connecting people with their homes. However, the problem facing Binuan village is that their land is slowly sinking into the sea, and there is a lack of proper water treatment and solid waste management. Despite these worrying issues, the locals still refuse to leave their homes because fishing is their main source of livelihood. To address these environmental issues, Wall-E proposes amphibious pods made from recycled plastic waste.
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were damaged by the shells, and only seawater, ruins, and a small number of plants were left on the ground, so people left the ground and turned to live underground, collectively living in underground shelter spaces, and began to build cities underground, and the underground world was bright, with cement buildings, steel structures, glass curtain buildings, green spaces, clean water sources, etc., like the scene of the movie \"Inception\", to build a fully developed city
Negative: old,cars,shabby,Underdeveloped cities
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were damaged by the shells, and only seawater, ruins, and a small number of plants were left on the ground, so people left the ground and turned to live underground, collectively living in underground shelter spaces, and began to build cities underground, and the underground world was bright, with cement buildings, steel structures, glass curtain buildings, green spaces, clean water sources, etc., like the scene of the movie \\\"Inception\\\", to build a fully developed city Negative: old, cars, shabby, Underdeveloped cities
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were damaged by the shells, and only seawater, ruins, and a small number of plants were left on the ground, so people left the ground and turned to live underground, collectively living in underground shelter spaces, and began to build cities underground, and the underground world was bright, with cement buildings, steel structures, glass curtain buildings, green spaces, clean water sources, etc., like the scene of the movie \\\"Inception\\\", to build a fully developed city Negative: old, cars, shabby, Underdeveloped cities
Prompt: a ramshackle village built underwater at the edge of a beach, with only the city wall on dry land. It's made if shipwreck parts, broken boards, and driftwood.
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were destroyed by the shells, and only deserts, sea water, ruins, and burned plants were left on the ground, so people left the ground and turned to live underground, and collectively lived in the underground refuge space, and began to build cities underground, and the underground world was bright, with buildings, buildings, green spaces, clean water, etc., like the scene of the movie \"Inception\".
Negative: old,cars,shabby,Underdeveloped cities
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were destroyed by the shells, and only deserts, sea water, ruins, and burned plants were left on the ground, so people left the ground and turned to live underground, and collectively lived in the underground refuge space, and began to build cities underground, and the underground world was bright, with buildings, buildings, green spaces, clean water, etc., like the scene of the movie \"Inception\".
Prompt: a ramshackle village clinging to the edge of a deserted island beach, mostly built in the water, made of shipwreck parts and driftwood. There's a strong wall protecting the village from the beach side. The people are marooned shipwreck survivors.
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were destroyed by the shells, and only the badlands and the sea remained, and people left the ground and turned to live underground, collectively living in underground shelters, and began to build cities underground, and the underground world was bright, with buildings, buildings, green spaces, clean water, and so on
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were destroyed by the shells, and only the badlands and the sea remained, and people left the ground and turned to live underground, collectively living in underground shelters, and began to build cities underground, and the underground world was bright, with buildings, buildings, green spaces, clean water, and so on
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were destroyed by the shells, and only the badlands and the sea remained, and people left the ground and turned to live underground, collectively living in underground shelters, and began to build cities underground, and the underground world was bright, with buildings, buildings, green spaces, clean water, and so on
Prompt: To create a post-war world where people do not have a stable place to live. The buildings on the ground were destroyed by the shells, and only deserts, seawater, ruins, and burned plants were left on the ground, so people left the ground and turned to live underground, and collectively lived in underground shelters, and began to build cities underground, and the underground world was bright, with buildings, buildings, green spaces, clean water, and so on
Prompt: Rows of houses stand eerily, water creeping up their walls, submerging them halfway. The once vibrant homes now appear as melancholic monuments in a sea of despair. Windows barely visible beneath the waterline convey a sense of silent tragedy. Action: Houses standing partially submerged, waterlines marking the height of the flood. Background: Suburban streets transformed into submerged canals. Shot Type: Medium Shot. Style: Hyper-realistic, photo realism, cinematography. --ar 9:16
Prompt: A small town where the buildings are made of scrap metal and salvaged materials. The streets are dusty and littered with debris, and the air is hot and dry. The inhabitants move slowly, conserving energy in the oppressive heat. The town is a testament to human ingenuity and adaptability, a makeshift community in a harsh, unforgiving world. post-apocalyptic, unsettling, unnerving, foreboding. By George Miller.
Negative: joyful hope
Style: Cinematic
Prompt: Marine pollution poster design, ocean, animals, wastewater, human garbage, plastic bottles, plastic bags, industrial wastewater, radiation, huge whale, big net, marine life debris, human, scene, simple advanced
Negative: Too simple, no creativity, no Chinese, all in English, does not reflect the damage to the marine environment, does not reflect the saving of the ocean
Prompt: Marine pollution poster design, ocean, animals, wastewater, human garbage, plastic bottles, plastic bags, industrial wastewater, radiation, huge whale, big net, marine life debris, human, scene, simple advanced
Negative: Too simple, no creativity, no Chinese, all in English, does not reflect the damage to the marine environment, does not reflect the saving of the ocean
Prompt: Generate compelling images portraying the formidable and challenging aspects of Myanmar's exceptionally rugged terrain. Highlight the extreme nature of the landscape, emphasizing towering, jagged mountain peaks, dense and unforgiving forests, and treacherous cliffs. Showcase the formidable obstacles that make transportation and infrastructure development particularly demanding in these areas. Capture the harsh and wild beauty of the terrain, illustrating the resilience and adaptability of local communities facing the formidable challenges presented by Myanmar's most rugged landscapes
Negative: DEFAULT
Style: Cinematic
Prompt: Stepping out of a structure on a secluded island, circa 2000 BC, we find ourselves in a primitive yet serene paradise. The architecture reflects the ancient building styles of the era, with structures made of stone and wood, featuring thatched roofs. The scene is devoid of modern rides, replaced instead by simple, nature-inspired activities and celebrations typical of ancient island communities. The air is filled with the sounds of traditional music, played on ancient instruments. The landscape includes lush, wild foliage with fruit-bearing trees, and a primitive garden with indigenous plants. Overseeing the garden is a mythical creature, akin to ancient folklore, sculpted from stone and wood, blending seamlessly into the ice feather bird with jewelry, full body view
Prompt: make me slums in a cyberpunk style city. A precise neighbourhood where the streets would be full of colour, there'd be lots of rubbish on the ground and people on the streets. There would also be smoke coming out of the sewers. You need to have the impression that the area is intoxicated.
Prompt: To create a post-war world where people do not have a stable place to live, and everyone lives collectively in underground shelters. The buildings on the ground were shattered by shells, but the world underneath was bright. The architectural style of the underground is technological and advanced, and people leave the ground to live underground.
Prompt: To create a post-war world where people do not have a stable place to live, and everyone lives collectively in underground shelters. The buildings on the ground were shattered by shells, but the world underneath was bright. The architectural style of the underground is technological and advanced, and people leave the ground to live underground.
Negative: words
Prompt: an architectural diagram of a kids playground, with an open gym, urban diagram
Style: Line Art
Prompt: A bustling underwater city inhabited by a variety of marine life. The city is built within a large, intricate coral reef, with buildings made from shells and other ocean materials. Fish of all shapes, sizes, and colors swim through the city streets, going about their daily routines. In the center of the city, a large, majestic sea turtle serves as the city's wise and respected leader. The scene is filled with activity and life, showcasing the beauty and diversity of the underwater world
Prompt: Dreaming for \u003c@1177803289862078464\u003e... `/dream prompt:Photo Japan's nuclear sewage enters the sea, polluting the oceans in stark contrast to the rest of the clean ocean,strong comparsion height:576 format:photo seed:2756749443`
Prompt: To create a post-war world where people do not have a stable place to live, and people collectively live in underground evacuation spaces. The buildings on the ground were shattered by shells, but the world underneath was bright. The architectural style of the underground is technological and advanced, and people leave the ground to live underground.
Prompt: To create a post-war world where people do not have a stable place to live, and people collectively live in underground evacuation spaces. The buildings on the ground were shattered by shells, but the world underneath was bright. The architectural style of the underground is technological and advanced, and people leave the ground to live underground.
Prompt: Generate a series of images depicting the rugged and diverse terrain of Myanmar, showcasing its mountainous landscapes, dense forests, and challenging geographical features. Capture the essence of the country's unique topography, emphasizing the resilience of local communities living in such areas. Consider incorporating elements like traditional villages, winding trails, and natural landmarks that characterize Myanmar's rough terrain. The images should convey the beauty and complexity of the terrain while highlighting the impact on the daily lives of the people inhabiting these regions
Negative: DEFAULT
Style: Cinematic
Prompt: A underwater world, whales, fish, sea turtles and other marine life and marine plants made up of all kinds of plastic waste and other garbage. Everything on the bottom of the sea is made up of garbage, and the pictures are taken by a camera, giving the audience a sense of immersive reality.
Prompt: To create a post-war world where people do not have a stable place to live, and everyone lives collectively in underground evacuation spaces. The buildings on the ground were shattered by shells, but the world underneath was bright. The architectural style of the underground is technological and advanced, and people leave the ground to live underground.
Prompt: Create a illustration/image themed \"Impacts of plastic on turtles\". Heavy inspiration from ((climate change)) and ((plastic)) The design should visually interpret the core concept of journalisim. The artwork should be engaging and suitable for a digital news platform, capturing the attention of viewers and complementing the article's subject matter
Negative: text, word, letters
Prompt: Design a 4-level cable car station, the \"Metro Manila Skyport,\" marrying UN Studio's sleek modernity with the richness of Philippine cultural heritage. Set against the high-density backdrop of Metro Manila, infuse the station with locally sourced sustainable materials and there should be some cable Cars approaching the station on the background. The Building or Stations should be the main focus of the design. Opt for a natural daylight rendering style in 16k resolution, highlighting the fusion of tradition and innovation. Key Features: Architectural Fusion: Blend UN Studio's design with Filipino cultural motifs
Prompt: The Pacific is a sea area where multiple cultures converge, while the Atlantic has witnessed the development of transportation from the era of great navigation to modern times.
Prompt: the last city, all of humanity stacked on top of each other in an endless scramble. The edge of the city is an abrupt cliff-like wall of haphazardly stacked ramshakle dwellings, which shifts from time to time to keep up with the strain of its own weight. Beyond that is nothing but fetid marshes. Above it all, columns of steel and stone rise over the scattered tenements: ancient spires of terrible majesty dominating the urban landscape, between them narrow catwalks and tangled wires bridge dark chasms. A dim haze and dirty rusty grime permeates all. Great forges glow and wires crackle with energy.
Prompt: the last city, all of humanity stacked on top of each other in an endless scramble. The edge of the city is an abrupt cliff-like wall of haphazardly stacked ramshakle dwellings, which shifts from time to time to keep up with the strain of its own weight. Beyond that is nothing but fetid marshes. Above it all, columns of steel and stone rise over the scattered tenements: ancient spires of terrible majesty dominating the urban landscape, between them narrow catwalks and tangled wires bridge dark chasms. A dim haze and dirty grime permeates all. Great forges glow and wires crackle with energy.
Prompt: the last city, all of humanity stacked on top of each other in an endless scramble. The edge of the city is an abrupt cliff-like wall of haphazardly stacked ramshakle dwellings, which shifts from time to time to keep up with the strain of its own weight. Beyond that is nothing but fetid marshes. Above it all, columns of steel and stone rise over the scattered tenements: ancient spires of terrible majesty dominating the urban landscape, between them narrow catwalks and tangled wires bridge dark chasms. Through the haze, everything glows a dim rusty red.
Prompt: Generate images portraying traditional villages and diverse dwellings found across the Isle of Azural. Include various architectural styles, vibrant colors, communal spaces, and cultural elements reflecting the island's unique lifestyle and connection with nature. Show houses built with local materials, such as wood or thatch, decorated with intricate designs or patterns. Capture the essence of community life, showcasing everyday activities, local craftsmanship, and the harmonious blend of people and nature
Style: Digital Art
Prompt: Marine protection posters, marine life, advanced simplicity, marine pollution, marine garbage, save the ocean
Negative: Too full, not creative, too monotonousToo simple, lacks Chinese, lacks creativit
Prompt: the last city, all of humanity stacked on top of each other in an endless vertical scramble. The edge of the city is an abrupt cliff-like wall of haphazardly stacked ramshakle dwellings, which shifts from time to time to keep up with the strain of its own weight. Beyond that is nothing but fetid marshes. Above it all, columns of steel and stone rise over the scattered tenements: ancient spires of terrible majesty dominating the urban landscape, between them narrow catwalks and tangled wires bridge dark chasms and trenches. Through the haze, everything glows a dim rusty red.
Prompt: A cyberpunk megalopolis burrowed deep within a dormant volcano's caldera, its neon-lit tunnels and hover-lanes swirling with autonomous transports ferrying citizens to and fro among the mining levels and hydroponic gardens, was captured on film through a kaleidoscopic collage of hard-edged geometry and liquid textures, imbuing the subterranean utopia with a kinetic futuristic energy on the cusp of a new dawn.
Prompt: Marine protection posters, marine animals, advanced simplicity, marine pollution, marine solid waste, global save the ocean
Negative: Too full, not creative, too monotonousToo simple, lacks Chinese, lacks creativit
Prompt: The growing urbanisation in Africa comes with new challenges that can be addressed through SEs. The issues of social protection for the vulnerable groups in the urban settings require innovative solutions. We therefore need to examine how social entrepreneurs can address the emerging challenges in urban set-ups and how organisations are innovating to solve the challenges of urbanisation. Furthermore, we need to discuss how the city's authority can work with social entrepreneurs to solve urban challenges in Africa.
Prompt: In the future, the continents of the Earth changed from forests to deserts.Part of humanity will stay on the already desertified earth, and the other part will go to the universe to find a new shelter.The humans who remained on Earth moved underground because the continents were uninhabitable.The cities of the future are built underground to survive, and in contrast to the dry land, it is very wet underground, and people have built tall buildings underground, because it is dark, it is full of neon lighting, and there is only enough space to squeeze at least five people into a room.The sun of the future world scorched the earth, and people put on masks to block the sun and sand to walk on the earth.Because the desert environment is harsh, future humans because of wearing masks when traveling difficult to communicate, they invented a sensor worn on the head can communicate through brain waves.Due to the gradual extinction of animals and plants in the future, human children can only understand the green world of the past through images.The part of mankind that went to space exploration, because of the anxiety of the shortage of materials, invented and used the technology to convert part of the garbage into food.
Prompt: The poster size is A3 (297mm x 420mm). Background: The background of the poster is a vibrant red, symbolizing joy and prosperity. In the center of the background, there is a golden dragon with a curving body, symbolizing good luck and prosperity. The golden dragon is surrounded by a few golden stars, adding a sense of mystery and fantasy. Central Design: In the center of the poster, there is a large Fu character, using a handwritten artistic font that appears elegant and artistic. The background of the Fu character is a gradient from a vibrant red to gold, adding layers and visual impact. Elements and Details: Around the Fu character, there are traditional Chinese elements of the Spring Festival, such as red lanterns, golden ingots, red firecrackers, to showcase the festive atmosphere. At the top of the poster, there is a string of red firecrackers that extend downwards from top to bottom, with their tips emitting golden stars, creating a lively and joyful atmosphere. At the bottom of the poster, there are some detailed decorations such as gold-outlined祥云 patterns and white snowflakes and plum blossoms for added beauty and texture. Throughout the poster design, attention is paid to details and the smoothness and aesthetics of lines, making the entire image appear harmonious and unified. Overall Effect: The entire poster is primarily red with gold and white as auxiliary colors, creating a vibrant and joyful Spring Festival atmosphere. Through intricate linework and element design, the entire image appears artistic and beautiful. Attention is also paid to making the text design prominent and readable, allowing people to quickly grasp the message and wishes conveyed by the poster.
Prompt: Chinese rural areas, villages from the 1960s, nostalgic for the vicissitudes of life, and a sense of time.
Prompt: The part of mankind that went to space exploration, because of the anxiety of the shortage of materials, invented and used the technology to convert part of the garbage into food.
Prompt: imagine imagine Kiruna is a city rich in mineral resources, but due to the urgent climate change, it will have to build a large-scale underground city in the future, and face the annual collective migration, futuristic, blue and yellow, future ruins
