Prompt: wide angle old black and white photograghs of 5 poor carpenters wearing turban and dhoti and angarkha, or pyjama-kurta posing from a Wood carving and inlaying shop, clear face and eyes, old camera photo, some carpenters working sitting on the floor without shirts on. background lots of completed and unfinished furniture chair in shop, furniture with indian style and artwork, in Lakar bazaar $timber market$, in North east Simla, India. Photograph circa 1903,
Prompt: wide angle old black and white photograghs of 5 poor carpenters wearing turban and dhoti and angarkha, or pyjama-kurta posing from a Wood carving and inlaying shop, old camera photo, some carpenters working sitting on the floor without shirts on. background lots of completed and unfinished furniture chair in shop, furniture with indian style and artwork, in Lakar bazaar $timber market$, in North east Simla, India. Photograph circa 1903,
Prompt: old black and white photograghs of 5 poor carpenters wearing turban and dhoti and angarkha, or pyjama-kurta posing from a Wood carving and inlaying shop, old camera photo, some carpenters working sitting on the floor without shirts on. background lots of completed and unfinished furniture chair in shop, furniture with indian style and artwork, in Lakar bazaar (timber market), in North east Simla, India. Photograph circa 1903, archives type photo. photo should look old
Negative: single carpenter, cartoon, new style photo, color photo, without furniture
Style: Photographic
Prompt: old black and white photograghs of 5 poor carpenters wearing turban and dhoti and angarkha, or pyjama-kurta posing from a Wood carving and inlaying shop, old camera photo, some carpenters working sitting on the floor without shirts on. background lots of completed and unfinished furniture chair in shop, furniture with indian style and artwork, in Lakar bazaar (timber market), in North east Simla, India. Photograph circa 1903, archives type photo. photo should look old
Negative: closeup short, no furniture
Style: Photographic
Prompt: old black and white photograghs of 5 carpenters wearing turban and dhoti and angarkha, or pyjama-kurta posing from a Wood carving and inlaying shop, old camera photo, some carpenters working sitting on the floor. lots of completed and unfinished furniture chair in shop, furniture with indian style and artwork, in Lakar bazaar (timber market), in North east Simla, India. Photograph circa 1903, archives type photo. photo should look old
Negative: single carpenter, cartoon, new style photo, color photo, without furniture,
Style: Photographic
Prompt: old black and white photograghs of 5 carpenters wearing turban and dhoti and angarkha, or pyjama-kurta posing from a Wood carving and inlaying shop, some carpenters working sitting on the floor. lots of completed and unfinished furniture chair in shop, furniture with indian style and artwork, in Lakar bazaar (timber market), in North east Simla, India. Photograph circa 1903, archives type photo. photo should look old
Negative: single carpenter, cartoon, new style photo, color photo
Style: Photographic
Prompt: old black and white photograghs of carpenters wearing turban and dhoti and angarkha, or pyjama-kurta posing from a Wood carving and inlaying shop, lots of completed and unfinished furniture stools in shop, furniture with indian style and artwork, in Lakar bazaar (timber market), in North east Simla, India. Photograph circa 1903, archives type photo. photo should look old
Style: Photographic
Prompt: old photograghs of carpenters posing from a Wood carving and inlaying shop, in Lakar bazaar (timber market), in North east Simla, India. Photograph circa 1903, archives type photo.
Style: Photographic
Prompt: Hindu Freedom fighters having working together with Bal Gangadhar Tilak Kesari newspaper Printing press in Pune in the year 1881. The room has old Pune vibes, with people wearing traditional indian marathi attire of that time with old furniture and old hand press printing press machine that printing newspaper sepia and blue hues, Ultra HD 1080p, high resolution photographs
Prompt: Marathi Freedom fighters having working together with Bal Gangadhar Tilak Kesari newspaper Printing press in Pune in the year 1881. The room has old Pune vibes, with people wearing traditional indian marathi attire of that time with old furniture and old hand press printing press machine that printing newspaper sepia and blue hues, Ultra HD 1080p, high resolution photographs
Prompt: poor black and white boatmen of the ganges working in lungis with only their backs showing in the photo. poor, indians, sweaty, depth
Prompt: In a dimly lit Burmese hospital room in 1885, a Marwadi man lies on a wooden bed with closed eyes, wearing a vibrant turban and covered by an intricately patterned blanket. The atmosphere is serene, with a mix of curious onlookers, patients, and concerned family members surrounding him. A dedicated doctor, dressed in period-appropriate attire, examines a medical chart nearby. The scene captures a multicultural tapestry of Burma in the late 19th century, with soft lighting creating a poignant moment of cultural convergence and compassion.
Negative: DEFAULT
Style: Line Art
Prompt: a vintage black and white workers dressed only in lungi working in a factory. Sweaty, oily backs in a factory. Gruny only shades of grey, hyperrealistic, 8k, depth.
Prompt: Hindu Marathi Freedom fighters having working together with Bal Gangadhar Tilak Kesari newspaper Printing press in Pune in the year 1881. The room has old Pune vibes, with people wearing traditional indian marathi attire of that time with old furniture and old hand press printing press machine that printing newspaper sepia and blue hues, Ultra HD 1080p, high resolution photographs
Prompt: Generate a detailed line art sketch featuring a Marwadi man half seated position on a Burmese market street in 1887. The man is wearing a traditional turban and dhoti, facing left, and engaged in selling cloth materials on street . C historical elements of the bustling Burmese market. Illustrate the street scene with architectural nuances and the lively atmosphere of customers exploring the textile offerings.
Negative: deformity distortion defused
Style: Line Art
Prompt: marwadi turban man wearing dhoti and kurta seating on wide street market selling clothes with mountain background in 1887
Prompt: marwadi man wearing dhoti and kurta selling clothes material BY SEATING IN burma MARKET in 1880
Prompt: Wood carving and inlaying shop, in Lakar bazaar (timber market), in North east Simla, India. The board reads, Omar Bakhsh, Shop No. 10. Photograph circa 1903, Underwood \u0026 Underwood archives.
Style: Photographic
Prompt: Hindu household in Myanmar. Photograph of Shiva on one wall. Photograph of Krishna on other wall. Interior includes some Burmese style furniture. No People in the image. Style Photographic
Prompt: Lokmanya Bal Gangadhar Singh having discussions in Kesari Printing press in Pune in the year 1881. The room has old Pune vibes, with old furnitures and old printing press printing newspaper sepia and blue hues, Ultra HD 1080p, high resolution photographs
Prompt: Maharashtrian people wearing tradition Pune Marathi attire having discussions in Kesari Printing press in Pune in the year 1881. The room has old Pune vibes, with old furnitures and old printing press printing newspaper sepia and blue hues, Ultra HD 1080p, high resolution photographs
Prompt: This photo shows a scene where cultural relics are being restored. 3 restorers are working meticulously. Wearing magnifying glasses helmets, focusing on inspecting or repairing mottled ascient chinese statues. statues placed on table and look ancient and historical. The restorers's postures indicate that they are performing a task requiring great precision. holding tool in right hand, although the specific tool not visible in the photo. wear practical work clothes and work against a darker background, which emphasizes the work area in which they are located. Lighting was a key element in this photo, with a large light fixture shining directly on the statues and the restorers, providing the necessary light so that they could see the fine details. The composition of the photo focuses on the restorers and their work, creating an atmosphere of concentration and tranquility. There are also several unidentified items in the surroundings, including several white bottles that may contain chemicals or paint needed for the restoration. There is also a yellow object on the left, which may be some part of a tool or part of the workstation. Together, these elements portray a professional and technical work environment.
Prompt: a funny show poster for a show titled 'sitarbucks' that is based in a cafe in india; the poster has 5 indian characters who are the employees there, ONLY one character who is the owner is a 45 year old sardar, one character is north east indian, one is a south indian, one character is maharashtrian.
Style: Analog Film
Prompt: rajasthani man sitting on a chair in his burmese style interior room.he is thinking deep. sepia tone.
Negative: beard, moustache
Style: Cinematic
Prompt: 16:9 image depicting a group of five young Indian men in a room, appearing to be intoxicated from alcohol.
Prompt: Generate a detailed line art sketch featuring a Marwadi man seated on a Burmese market street in 1887. The man is wearing a traditional turban and dhoti, facing left, and engaged in selling cloth materials on street . Capture the intricate details of his attire, the texture of the fabrics on display, and the historical elements of the bustling Burmese market. Illustrate the street scene with architectural nuances and the lively atmosphere of customers exploring the textile offerings. Emphasize the cultural exchange and trade dynamics in this snapshot of 1887 Burma Negative: deformity, fused finger
Negative: deformity, fused finge
Style: Line Art
Prompt: Mahrashtrian Freedom fighters having discussions in Kesari Printing press in Pune in the year 1881. The room has old Pune vibes, with old furnitures and old printing press printing newspaper sepia and blue hues, Ultra HD 1080p, high resolution photographs
Prompt: Create a detailed line art sketch depicting a Marwadi man wearing a traditional dhoti, kurta, and a turban on his head, while sitting on a road and engaged in selling cloth materials on a bustling market road in Mandalay in the year 1880. Capture the intricacies of his attire, the textiles on display, and the historical charm of the market surroundings. Pay special attention to the expression on the merchant's face and the unique features of the Mandalay streetscape during this period. Highlight the cultural richness and trade dynamics in this vivid snapshot of 1880 Mandalay. charcoal.
Negative: deformity, fused fingers
Style: Line Art
Prompt: Marathi people having discussions in Kesari Printing press in Pune in the year 1881. The room has old Pune vibes, with old furnitures and old printing press printing newspaper sepia and blue hues, Ultra HD 1080p, high resolution photographs
Prompt: A workshop for handmade silver jewelry craftsmen, with many tools on the table. At night, two craftsmen were handcrafting silver rings, wearing aprons and holding hammers,
Prompt: a funny show poster for a show titled 'sitarbucks' that is based in a cafe in india; the poster has five indian characters who are the employees there, ONLY one character who is the owner is a 45 year old sardar played by boman irani indian actor, one character is north east indian, one is a south indian, one character is maharashtrian
Style: Analog Film
Prompt: Sketch a vibrant scene capturing the cultural dynamism of a Burmese market in 1880, with a focus on a Marwadi man wearing a traditional dhoti and kurta, actively engaged in selling cloth materials while seated. Surround the merchant with the lively atmosphere of the market, including other shops and people engaging in transactions. Detail the Marwadi man's attire with precision, showcasing the intricacies of the dhoti and kurta, and emphasize the array of cloth materials on display. Illustrate the surrounding market scene with architectural elements, such as nearby shops or stalls, and include a diverse group of people, some browsing and others engaged in purchasing textiles.
Negative: distortion, deformity, beared
Style: Line Art
Prompt: indian man age 30 a little bit overweigth pacing up and down in his room, thinking during 1950s, traditional cloth and traditional indian interior design
Negative: mustache, beard, distortions
Prompt: Generate a detailed line art sketch featuring a Marwadi man seated on a Burmese market street in 1887. The man is wearing a traditional turban and dhoti, facing left, and engaged in selling vibrant cloth materials. Capture the intricate details of his attire, the texture of the fabrics on display, and the historical elements of the bustling Burmese market. Illustrate the street scene with architectural nuances and the lively atmosphere of customers exploring the textile offerings. Emphasize the cultural exchange and trade dynamics in this snapshot of 1887 Burma
Negative: deformity, fused finger
Style: Line Art
Prompt: image depicting a group of five young Indian men in a room, appearing to be intoxicated from alcohol.
Prompt: use this image https://media.discordapp.net/attachments/1103708504142925824/1194783504874086491/group_of_old_indian_men_sitting_in_a_circle_and_talking_to_one_man_style-Cinematic_width-1344_height-768_aspect-16-9_seed-0ts-1704928985_idx-0.png?ex=65b19bd9\u0026is=659f26d9\u0026hm=46f74070afd34f089be9cb08a1a138ab46a4454d61253e6cb6cbbd01c208801c\u0026=\u0026format=webp\u0026quality=lossless\u0026width=1174\u0026height=671 change clothes to shirt and dhoti indian style
Prompt: Create a detailed line art sketch depicting a Marwadi man wearing a traditional dhoti, kurta, and a turban on his head, engaged in selling cloth materials on a bustling market road in Mandalay in the year 1880. Capture the intricacies of his attire, the textiles on display, and the historical charm of the market surroundings. Pay special attention to the expression on the merchant's face and the unique features of the Mandalay streetscape during this period. Highlight the cultural richness and trade dynamics in this vivid snapshot of 1880 Mandalay. CHARCOAL
Negative: DEFORMITY, FUSED FINGERS, MOUSTACHE, BEARD
Style: Line Art
Prompt: Indian men in lungi closeup upper body,his back towards camera, not wearing a shirt, image with historical feel, no modern elements in image, strength,black and white
Negative: modern elements, contemporary
Prompt: This photo shows a scene where cultural relics are being restored. 3 restorers are working meticulously. Wearing magnifying glasses, focusing on inspecting or repairing mottled ascient chinese statues. statues placed on table and look ancient and historical. The restorers's postures indicate that they are performing a task requiring great precision. holding tool in right hand, although the specific tool not visible in the photo. wear practical work clothes and work against a darker background, which emphasizes the work area in which they are located. Lighting was a key element in this photo, with a large light fixture shining directly on the statues and the restorers, providing the necessary light so that they could see the fine details. The composition of the photo focuses on the restorers and their work, creating an atmosphere of concentration and tranquility. There are also several unidentified items in the surroundings, including several white bottles that may contain chemicals or paint needed for the restoration. There is also a yellow object on the left, which may be some part of a tool or part of the workstation. Together, these elements portray a professional and technical work environment.
Prompt: This photo shows a scene where cultural relics are being restored. 3 restorers are working meticulously. Wearing magnifying glasses, focusing on inspecting or repairing mottled ascient chinese statues. statues placed on table and look ancient and historical. The restorers's postures indicate that they are performing a task requiring great precision. holding tool in right hand, although the specific tool not visible in the photo. wear practical work clothes and work against a darker background, which emphasizes the work area in which they are located. Lighting was a key element in this photo, with a large light fixture shining directly on the statues and the restorers, providing the necessary light so that they could see the fine details. The composition of the photo focuses on the restorers and their work, creating an atmosphere of concentration and tranquility. There are also several unidentified items in the surroundings, including several white bottles that may contain chemicals or paint needed for the restoration. There is also a yellow object on the left, which may be some part of a tool or part of the workstation. Together, these elements portray a professional and technical work environment.
Prompt: tinkerer in his shop wearing welding goggles and worn clothes, workshop full of tools, disorganized, busy
Prompt: tinkerer in his shop wearing welding goggles and worn clothes, workshop full of tools, disorganized, busy
Prompt: Generate historically accurate and culturally immersive images depicting a group of 5 to 6 boys, all around 6 years old, engaged in everyday activities in an Indian village during the year 1928. Capture the essence of rural life with attention to period-specific clothing, traditional village settings, and cultural details reflective of early 20th-century India. Showcase the boys in various activities, such as playing traditional games, exploring the surroundings, or interacting with the village environment. Convey the simplicity and charm of childhood in an Indian village setting in 1928, providing an authentic glimpse into the daily lives of these young boys.
Negative: DISTORTION, DEFORMITY
Style: Line Art
Prompt: To create a line art sketch of a Marwadi man wearing a turban, dhoti, and kurta, seating on a wide street of Burma in 1880 while selling cloth material, you can follow these steps: Basic Outline: Start with a rough outline of the seated man. Capture the pose with a half-seated position, focusing on the turban, dhoti, and kurta. Clothing Details: Add details to the clothing, emphasizing the folds and patterns of the dhoti and kurta. Pay attention to the turban, ensuring it reflects the traditional style. Seating Position: Define the seating position by sketching the ground or a makeshift seating arrangement. Consider adding a simple depiction of the cloth materials around the man. Street Details: Expand the sketch to include the wide street. Illustrate the ground, and add elements like cobblestones or patterns to suggest the historical setting. Include a hint of surrounding buildings or shops. Cloth Materials: Draw the cloth materials displayed for sale. Use lines and shading to convey the textures and patterns of the fabrics. Consider adding folds and drapes to make the textiles appear realistic. Facial Features: Add facial features to the man, focusing on his expression. Capture the sense of engagement and perhaps a welcoming or contemplative expression. Final Details: Refine the sketch by adding finer details, such as accessories, patterns on the clothing, and any additional elements that enhance the overall composition. Remember, this is a simplified guide, and you can adjust the details based on your preferences and artistic style. Feel free to experiment with different line weights, shading techniques, and textures to bring your sketch to life.
Negative: DISTORTION, DEFORMITY, DEFUSED
Style: Line Art
