Prompt: oil painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: oil painting of cyberpunk downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: broad brush matte painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Subject is foreground
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Drone perspective
Prompt: broad brush matte painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Lighting study. Cinematic lighting. Beautiful composition
Prompt: Painter Edward Hopper style, city, street, dense skyscrapers, crowds, street signs, electric trains, stores, looking up, yellow, green, brown, blue
Style: Photographic
Prompt: The vibrant colors and textures of the painting seem to pulse with life, capturing the free-spirited essence of the woman it depicts in a groovy San Francisco of the 1960s.
Style: Cinematic
Prompt: le Chinatown of San Francisco, 2d facade, cartoon, illustration, cartoon, ruel, backview
Style: Cinematic
Prompt: minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
Prompt: matte painting of busy, heavy raining San Francisco architecture, set 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy, heavy raining San Francisco architecture, set 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy raining cyberpunk Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop entrance with customers. Retro lights. Isometric composition
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
Negative: New York
Prompt: matte painting of busy raining Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: minimal matte painting of busy downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective. Shadow and lightning study
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. Top down drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
Negative: New York
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
Prompt: Colorful cityscape, bustling sidewalks illuminated by filtering sun, dusk, Ben Aronson reference, Edward Hopper lighting influence, impressionist blurred movement, nostalgic vintage atmosphere, rich hues
Negative: red, orange
