Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Lighting study. Cinematic lighting. Beautiful composition
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Subject is foreground
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Drone perspective
Prompt: broad brush matte painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Prompt: minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
Prompt: minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, hotels, people
Negative: New York
Prompt: minimal matte painting of busy downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective. Shadow and lightning study
Prompt: matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Drone perspective
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
Negative: New York
Prompt: matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: broad brush matte painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy raining cyberpunk Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy raining Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
Negative: New York
Prompt: matte painting of busy, heavy raining San Francisco architecture, set 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy, heavy raining San Francisco architecture, set 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Top down drone perspective. Cars, hotels, people
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: oil painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop entrance with customers. Retro lights. Isometric composition
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
Negative: New York
Style: Fantasy Art
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. Top down drone perspective. Cars, hotels, people. Car and street lights. Shop signs.
Negative: New York
Prompt: oil painting of cyberpunk downtown broadway San Francisco by Edward hopper, Wes Anderson
Style: Cinematic
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
Negative: New York
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Fantasy Art
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Comic Book
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Isometric
Prompt: matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
Negative: New York
Style: Tile Texture
Prompt: New York Cityscape, Medium: Digital Art, Style: Fusion of Hopper's realism and Wong Kar-wai's filmic color tones, Lighting: Neon signs and street lights of a city night, Color: Contrast between modern architecture and vibrant neon lights, Composition: Capturing unique angles and street elements of the cityscape.
Prompt: Picture a scene in a Spanish city: On a quiet city street at night, the soft glow of a lone streetlamp casts elongated shadows. Tall buildings rise above, their windows dim and still, evoking a feeling of solitude in the urban panorama. Draw inspiration from artists like Edward Hopper, Giorgio de Chirico, Charles Sheeler, and Evgeny Lushpin to capture the essence of the Spanish night. Transform this atmospheric scene into a Comic Book style, blending the quiet beauty of the Spanish streets with the visual storytelling elements of a comic book narrative.
