Prompt: a painting of a milk delivery boy working on milk truck ready to deliver, in Christchurch, New Zealand, 2000. By Edward Hopper.
Prompt: a painting of a milk delivery boy hanging off the milk truck ready to deliver, in Christchurch, New Zealand, 2000. By Edward Hopper.
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Lighting study. Cinematic lighting. Beautiful composition
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Subject is foreground
Prompt: matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Drone perspective
Prompt: An old, rundown, and dirty motel from the mid-20th century, with faded neon signs that barely flicker through the grime. The once-vibrant colors of the retro architecture are now muted, and the cracked windows reveal dim, flickering lights from within. This scene is depicted in the style of Edward Hopper, capturing the lonely and nostalgic atmosphere of a bygone era.
Prompt: a painting of an engrosed boy playing games on a pentium 75mhz comptuer, in Christchurch, New Zealand, 1995. Light streams in from a skylight. By Edward Hopper
Prompt: broad brush matte painting of downtown broadway San Francisco by Edward hopper, Wes Anderson
Prompt: Painting of an old British pub, long bar in distance, people sitting on barstools along bar, tables and chairs with people sitting, colorful thick impasta painting, uplight, in the style of Elmer Bischoff --s 200，shot with Nikon AF-S Nikkor 14-24mm f/2.8G ED
Prompt: Nighthawks by Edward Hopper painted in oil on copper in the Rococo style
Negative: Blurry, low-resolution, pixelated, distorted geometry, jagged edges, poor lighting, lack of details, flat colors, dull textures, low-quality rendering, unattractive design, amateurish craftsmanship, unsightly reflections, unrealistic shadows, unrealistic proportions, poor symmetry, bland color, low-quality image, unsatisfactory visual effects, bad hands, bad anatomy, missing fingers, extra digit, fewer digits
Prompt: Painting of recreational nuclear, by Edward Hopper, cyberpunk, futur, neo-noir, transhumanism
Prompt: a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
Prompt: matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
Prompt: Two men walked into a bar. The bar was full of people and the music was lively. They found an empty seat, sat down, ordered two beers, and toasted to each other.Photographic width:1980 height:1080
Prompt: Two men walked into a bar. The bar was full of people and the music was lively. They found an empty seat, sat down, ordered two beers, and toasted to each other.Photographic width:1980 height:1080
Prompt: minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
Prompt: Two chinese men walked into a bar. The bar was full of people and the music was lively. They found an empty seat, sat down, ordered two beers, and toasted to each other.Photographic width:1980 height:1080
Prompt: Painting of kids doing recreational nuclear, by Edward Hopper, cyberpunk, futur, neo-noir, transhumanism
Prompt: a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor with MS DOS, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
Prompt: shot with Nikon AF-S Nikkor 14-24mm f/2.8G ED,an old British pub, long bar in distance, people sitting on barstools along bar, tables and chairs with people sitting, colorful thick impasta painting, uplight, in the style of Elmer Bischoff --s 200
