Prompt: A nonlinear mosaic depicting the gradual dissipation of select hues from a Maxfield Parrish landscape is juxtaposed with annotated stills from a Terrence Malick film and passages from an unpublished Italo Calvino screenplay, the fragmentary fusion absorbing elements of late Impressionism, Social Realism and psychedelic poster art in an allusively-lit examination of transitional states experienced through displaced sensory filters.