Prompt: Jean Francois Michel, now known as Alexander de Camondo, lives his life on a compelling journey through the strata of society. He wears Italian haute couture clothes from the late 1800s, with symbols that remind everyone that he is a Jew like the kippāh or the Talled The experience from his childhood in Marseille, the move to Lyon and finally the involvement in the Franco-Hova War profoundly marked his life. The connection with the young man during the war and his final gesture of entrusting him with his inheritance adds an element of the tragic and touching to the story. Now, with his new identity and position in Parisian society, Alexander de Camondo finds himself facing challenges from the world of business and nobility. Alexander de Camondo after his return to his homeland becomes the only heir of the famous house of bankers. To transform himself into his new alter ego he decides to cut his mustache and beard to resemble the Jew, indicating a strategic approach and perhaps also a desire to adapt to his new identity. Managing the wealth accumulated by the De Camondos through investments in the Paris Stock Exchange presents new challenges and responsibilities. The process of firing old employees and hiring new workers reflects Alexander's desire to shape the company according to his visions and preserve its new identity. Alexander de Camondo faces challenges and difficulties related to managing the De Camondo family's affairs. His frustration with Jewish traditions and kosher eating practices adds an element of tension and bewilderment. The decision to seek an assistant and the choice of G. Sutcliff as such show the need to delegate tasks and affairs, providing Alexander with an outlet for his increasing pressures and responsibilities. His choice to surround us highlights the personal and cultural challenges he is facing. Alexander's reaction, when someone questions whether he believes himself to be what he wants to do, with his impulsive gesture with the knife and the subsequent need to make the body disappear contribute to creating a growing tension. R. O'Connor is the banker's trusted accountant and an ally in his new responsibilities. Alexander's interest in the opportunity to invest in the Opéra Populaire demonstrates being a pragmatic individual who moves confidently through challenges adds depth to the character. Alexander offers to Jules Aubert. to become a partner of the bank and to manage the financing of the French army De Camondo accuses P.T.Zidler and Peter Carlyle of fraud. Alexander decides to build the Nissim de Camondo Museum in honor of his father Moise De Camondo. The Banker invites Umberto Piangi, the famous actor to help in the study of the theatrical art of Marguerite, who abandoned the role of Sherazad and accepted the Banker's love.