Prompt: Ettore Marinelli, a war industry magnate is actually the mortal form of the God of Economy. He is dressed in a fashionable suit and with a cigarette in his mouth, he frequents luxury clubs, among businessmen, pin-ups and film producers. He has a dollar tattoo on his right wrist. Ettore Marinelli is always distinguished, always obviously rich, always unscrupulously poly as money makes those who worship it. He knows that war is the thing that moves the economy more than anything else, that it is easier to acquire holding an assault rifle than finding a good plumber on Sunday.
Prompt: Jean Francois Michel, today known as Alexander de Camondo, lives his life in a gripping journey through the layers of society. Born very poor, he is now heir to one of the most important banks in France. He wears late 19th century Italian high fashion clothes, with symbols that remind everyone that he is Jewish such as the kippāh or the Talled. He decided to invest in the Opera Populair theater in Paris.
Prompt: Jean Francois Michel, today known as Alexander de Camondo, lives his life in a gripping journey through the layers of society. Born very poor, he is now heir to one of the most important banks in France. He wears late 19th century Italian high fashion clothes, with symbols that remind everyone that he is Jewish such as the kippāh or the Talled. He decided to invest in the Opera Populair theater in Paris.
Prompt: Alexander de Camondo, He wears late 19th century Italian high fashion clothes, with symbols that remind everyone that he is Jewish like the kippāh or the Talled and owner of one of the most important banks in France. He decided to invest in the Opera Populair theater in Paris.
Prompt: Carlo Forti is undoubtedly one of the most influential men in the province of Pisa. At just 45 years old he is deputy mayor of the city and a high member of the Carlo Darwin Masonic Lodge, but above all he is the High Priest of an ancient cult known as the Faceless. His knowledge in esoteric matters, in forbidden myths and high political and working capacity went hand in hand giving such security to his fame and personality that his gradual taking of position as High Priest of Yegg-ha was inevitable
Prompt: Carlo Forti is undoubtedly one of the most influential men in the province of Pisa. At just 45 years old he is deputy mayor of the city and a high member of the Carlo Darwin Masonic Lodge, but above all he is the High Priest of an ancient cult known as the Faceless. His knowledge in esoteric matters, in forbidden myths and high political and working capacity went hand in hand giving such security to his fame and personality that his gradual taking of position as High Priest of Yegg-ha was inevitable
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity.(mark ryden, gerald scarfe, gerald brom, ian miller, henry asencio, tim burton)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity.(stephen gammell, mark ryden, gerald scarfe, gerald brom, ian miller, alex russell flint, henry asencio, tim burton)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity. (caricature, grotesque, stephen gammell, mark ryden, gerald scarfe, gerald brom, ian miller, alex russell flint, henry asencio, tim burton, breathtaking, vivid, uhd)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity.(mark ryden, gerald scarfe, gerald brom, ian miller, alex russell flint, henry asencio, tim burton)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity. (jarek kubicki, santiago caruso, richard corben)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity.(mark ryden, gerald scarfe, gerald brom, ian miller, henry asencio, tim burton)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity.
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity.(caricature, grotesque, stephen gammell, mark ryden, gerald scarfe, gerald brom, ian miller, alex russell flint, henry asencio, tim burton)
Prompt: Carlo Forti is undoubtedly one of the most influential men in the province of Pisa. At just 45 years old, he is deputy mayor of the city, a high member of the Masonic Lodge Carlo Darwin, and the High Priest of an ancient cult known as the Faceless One which venerates a creature linked to the myth of Cthulhu. Very elegant dress but with references to both Freemasonry and Cthulhu.
Prompt: Carlo Forti is undoubtedly one of the most influential men in the province of Pisa. At just 45 years old, he is deputy mayor of the city, a high member of the Masonic Lodge Carlo Darwin, and the High Priest of an ancient cult known as the Faceless One which venerates a creature linked to the myth of Cthulhu. Very elegant dress but with references to both Freemasonry and Cthulhu.
Prompt: Simone Rossellini, a distinguished figure in the shadowy world of the Giovanni Clan, bears the weight of his centuries with an air of timeless authority. Born in the heart of Rome during the 19th century, his journey through the ecclesiastical hierarchies of the Jesuits has left an indelible mark on his demeanor. His features carry the echoes of a noble past, with sharp, penetrating eyes that have witnessed the passage of ages. His skin, pallid and untouched by the sun's rays, reflects the unyielding nature of his undead existence. A well-groomed beard frames his face, accentuating the regal air that surrounds him. Simone is known for his unique combination of True Faith and the Power of Mortis, a potent blend that sets him apart even among his fellow clan members. His aura exudes a sense of otherworldly command, as if he has harnessed the very forces of the afterlife to serve his bidding. Draped in garments that blend the styles of a bygone era with the modern trappings of power, Simone carries himself with a grace that belies his vampiric nature. A silvered cross, a relic from his mortal days within the Jesuit order, hangs prominently around his neck, a symbol of the duality he embodies. In his retinue, Simone is surrounded by his offspring, each bearing the Giovanni mark of privilege and ambition. His faithful ghouls and spectral allies, drawn from the depths of the shadow, form a protective circle around him, their loyalty eternally bound to their venerable Elder. Simone Rossellini, a name whispered with a mix of reverence and trepidation in the hidden corridors of the undead world, stands as a testament to the enduring power of the Giovanni Clan.
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes on a porcine head darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity. (caricature, grotesque, stephen gammell, mark ryden, gerald scarfe, gerald brom, ian miller, alex russell flint, henry asencio, tim burton, breathtaking, vivid, uhd)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes on a porcine head darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity. (caricature, grotesque, stephen gammell, alex russell flint, breathtaking, vivid, uhd)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes on a porcine head darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity. (caricature, grotesque, stephen gammell, alex russell flint, botero, naoto hattor, breathtaking, vivid, uhd)
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes on a porcine head darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity. (caricature, grotesque, stephen gammell, alex russell flint, botero, naoto hattori, breathtaking, vivid, uhd)
Prompt: Year:1967. Formal portrait. High detail, Canon EOS DSLR photograph. UHD, 8K resolution, sharp focus, full color, intricately detailed and extremely close up intimate facial portrait of a stylish, age 30 lady in 1967, showcasing her long-length, light brunette hair, generously and profusely highlighted. She coquettishly smiles at the camera. Her very thick, richly textured hair fills the viewing screen and is delicately styled in a sleek, very lofty, highly voluminous, flared bouffant, with thick luxuriant blunt bangs. She wears vintage glasses and has subtle, elegant makeup. Solid, light colored background. Accurate 1967 styling.
Negative: (earrings: 1.6) outdoors, outdoor setting, loose tendrils of hair, jewelry, hair beyond camera view, cropped hair, tiara, orange colors, black and white image, nudity, NSFW,
Style: Photographic
Prompt: Alexander de Camondo, is a French banker and Italian nobleman, He wears elegant clothes from the late 19th century, with kippāh or the Talled
Prompt: Alexander de Camondo, is a French banker and Italian nobleman, He wears elegant clothes from the late 19th century, with kippāh or the Talled
Prompt: prompt:Carlo Forti is undoubtedly one of the most influential men in the province of Pisa. At just 45 years old, he is deputy mayor of the city, a high member of the Masonic Lodge Carlo Darwin, and the High Priest of an ancient cult known as the Faceless One which venerates a creature linked to the myth of Cthulhu. Very elegant dress but with references to both Freemasonry and Cthulhu. style:Cinematic
Prompt: Jean Francois Michel, now known as Alexander de Camondo, lives his life on a compelling journey through the strata of society. He wears Italian haute couture clothes from the late 1800s, with symbols that remind everyone that he is a Jew like the kippāh or the Talled The experience from his childhood in Marseille, the move to Lyon and finally the involvement in the Franco-Hova War profoundly marked his life. The connection with the young man during the war and his final gesture of entrusting him with his inheritance adds an element of the tragic and touching to the story. Now, with his new identity and position in Parisian society, Alexander de Camondo finds himself facing challenges from the world of business and nobility. Alexander de Camondo after his return to his homeland becomes the only heir of the famous house of bankers. To transform himself into his new alter ego he decides to cut his mustache and beard to resemble the Jew, indicating a strategic approach and perhaps also a desire to adapt to his new identity. Managing the wealth accumulated by the De Camondos through investments in the Paris Stock Exchange presents new challenges and responsibilities. The process of firing old employees and hiring new workers reflects Alexander's desire to shape the company according to his visions and preserve its new identity. Alexander de Camondo faces challenges and difficulties related to managing the De Camondo family's affairs. His frustration with Jewish traditions and kosher eating practices adds an element of tension and bewilderment. The decision to seek an assistant and the choice of G. Sutcliff as such show the need to delegate tasks and affairs, providing Alexander with an outlet for his increasing pressures and responsibilities. His choice to surround us highlights the personal and cultural challenges he is facing. Alexander's reaction, when someone questions whether he believes himself to be what he wants to do, with his impulsive gesture with the knife and the subsequent need to make the body disappear contribute to creating a growing tension. R. O'Connor is the banker's trusted accountant and an ally in his new responsibilities. Alexander's interest in the opportunity to invest in the Opéra Populaire demonstrates being a pragmatic individual who moves confidently through challenges adds depth to the character. Alexander offers to Jules Aubert. to become a partner of the bank and to manage the financing of the French army De Camondo accuses P.T.Zidler and Peter Carlyle of fraud. Alexander decides to build the Nissim de Camondo Museum in honor of his father Moise De Camondo. The Banker invites Umberto Piangi, the famous actor to help in the study of the theatrical art of Marguerite, who abandoned the role of Sherazad and accepted the Banker's love.
Prompt: Jean Francois Michel, now known as Alexander de Camondo, lives his life on a compelling journey through the strata of society. He wears Italian haute couture clothes, with symbols that remind everyone that he is a Jew The experience from his childhood in Marseille, the move to Lyon and finally the involvement in the Franco-Hova War profoundly marked his life. The connection with the young man during the war and his final gesture of entrusting him with his inheritance adds an element of the tragic and touching to the story. Now, with his new identity and position in Parisian society, Alexander de Camondo finds himself facing challenges from the world of business and nobility. Alexander de Camondo after his return to his homeland becomes the only heir of the famous house of bankers. To transform himself into his new alter ego he decides to cut his mustache and beard to resemble the Jew, indicating a strategic approach and perhaps also a desire to adapt to his new identity. Managing the wealth accumulated by the De Camondos through investments in the Paris Stock Exchange presents new challenges and responsibilities. The process of firing old employees and hiring new workers reflects Alexander's desire to shape the company according to his visions and preserve its new identity. Alexander de Camondo faces challenges and difficulties related to managing the De Camondo family's affairs. His frustration with Jewish traditions and kosher eating practices adds an element of tension and bewilderment. The decision to seek an assistant and the choice of G. Sutcliff as such show the need to delegate tasks and affairs, providing Alexander with an outlet for his increasing pressures and responsibilities. His choice to surround us highlights the personal and cultural challenges he is facing. Alexander's reaction, when someone questions whether he believes himself to be what he wants to do, with his impulsive gesture with the knife and the subsequent need to make the body disappear contribute to creating a growing tension. R. O'Connor is the banker's trusted accountant and an ally in his new responsibilities. Alexander's interest in the opportunity to invest in the Opéra Populaire demonstrates being a pragmatic individual who moves confidently through challenges adds depth to the character. Alexander offers to Jules Aubert. to become a partner of the bank and to manage the financing of the French army De Camondo accuses P.T.Zidler and Peter Carlyle of fraud. Alexander decides to build the Nissim de Camondo Museum in honor of his father Moise De Camondo. The Banker invites Umberto Piangi, the famous actor to help in the study of the theatrical art of Marguerite, who abandoned the role of Sherazad and accepted the Banker's love.
Prompt: Alexander de Camondo, is a French banker and Italian nobleman, He wears elegant nineteenth-century clothes, wearing kippāh and Talled
Prompt: Leonard Warren-Hopkins is a mid-19th century English physician and researcher he wears elegant and refined clothes, typical of the late 1800s English with the influence of Italian fashion, with symbols that recall being a doctor and a scientist, on his finger he wears a ring with a lightning bolt, symbol of his Masonic lodge Leonard's meticulous observation of the human body showcases his scientific passion. His intellectual curiosity and pursuit of knowledge lead him to explore the boundaries of medicine, often challenging social and moral norms. References to historical figures such as Galvani, Vesalius, Descartes and Renaissance scholars add depth to Leonardo's character. His alignment with medical pioneers reflects his ambition and admiration for those who pushed the boundaries of knowledge. Leonard's internal struggles, especially regarding his standing in the medical community and his perceived lack of recognition, add a layer of complexity. His acceptance of Lord Scarborough's offer and subsequent events contribute to the evolution of his identity. Leonard's involvement in the Masonic lodge of the Order of the Lightning is an intriguing element. The Lazarus Project and Leonard's experiments with electricity on the human body introduce a fascinating plot point. The collaboration with Tesla and the quest to resurrect the dead creates a sense of suspense and anticipation. Leonard's feelings of envy and frustration within the medical community, his interactions with famous people, and the competition for recognition provide opportunities for conflict and character development. The transformation of Villa Avogadro, inherited by Lord Scarborough into a nursing home and experimental space introduces a change of setting. Interactions with staff, the involvement of Florence Nightingale and the integration of new practices create a dynamic environment. Leonard's collaboration with Lady Violet Scarborough and experimentation with laudanum open doors to the exploration of darker themes. The reference to Lady Johanna McEwan as a \"Lamia\" with healing abilities introduces a supernatural element. Exploring how those elements intersect with Leonard's scientific research can add a layer of mystery. Leonard's hope to inspire Arthur Conan Doyle and his regret at not convincing him to work together can be an intriguing subplot. This can be woven into the narrative, exploring how Leonard becomes an unintentional muse for literary works. Personal relationships and morality: Leonard's personal relationships, especially with those he experiments on, call morality into question. You can explore his internal ethical struggles, the impact on his psyche, and the reactions of those around him.
Prompt: Alexander de Camondo, is a French banker and Italian nobleman, He wears elegant nineteenth-century clothes, with kippāh or the Talled
Prompt: Giacomo Amici, the Black Captain: Giacomo appears to be a leadership figure in the company, with romantic ideas about war and an attachment to tradition. His evolution over time, from the figure of the Captain to his death, adds a dramatic element to the story.
Prompt: compelling AI image illustrating the epitome of a greedy banker amid a landscape of opulence turned to decay. Envision the banker in a lavish office, surrounded by stacks of money, adorned in tattered luxury, and signs of neglect. Integrate symbols of disease and decay, like wilting flowers, decaying documents, or a neglected, crumbling environment. Use dramatic lighting to accentuate the stark contrast between wealth and moral degradation, capturing the consequences of unchecked greed. Panic. This image should serve as a haunting visual commentary on the corrosive effects of financial ambition, juxtaposing opulence with the decay that follows insatiable desire. Phtographic Style
Prompt: Create an evocative AI image portraying the essence of a greedy banker. Envision a scene with opulent corporate surroundings, featuring the banker in a luxurious office, surrounded by stacks of money, expensive suits, and symbols of excess. Integrate subtle details that convey the insatiable desire for wealth and power, such as a smug expression, clenched fists, or a calculating gaze. Utilize dramatic lighting to emphasize the contrast between wealth and moral ambiguity, leaving viewers with a thought-provoking impression of corporate greed. Craft an image that serves as a visual commentary on the darker aspects of financial ambition
Prompt: The corpulent banker slumped in his armchair, his bulging belly straining against the buttons of his bespoke suit. He exuded a noxious fume of greed, corruption and entitlement that filled the boardroom like a noxious gas. His piggish eyes darted around the room, seeking out potential marks for his next swindle. He was the very embodiment of capitalist excess, a grotesque caricature of a man who had lost all sense of decency and morality in his blind pursuit of profit. His hands, soft and bloated, were stained with the blood of the working class, while his insatiable appetite for power and influence left a trail of destruction in his wake. He was a monster, a modern-day Caligula, and he reveled in his own depravity. (jarek kubicki, santiago caruso, richard corben)
Style: Photographic
Prompt: A man with these quality Confidence and Authority: Choose a photo where the individual looks confident and exudes authority. This could be someone dressed in professional attire, giving off a powerful and composed vibe. Success Symbols: Include symbols associated with success and wealth, such as a well-decorated office, luxury items, or a city skyline in the background. These elements can visually convey the theme of millionaire motivation. Positive Expression: Opt for a picture where the person is smiling or has a positive expression. This helps create a welcoming and approachable image, which is important for motivating and engaging viewers. Professionalism: Ensure the photo looks professional and well-lit. Avoid overly casual or unprofessional shots, as they might not convey the level of success and motivation you want associated with your channel. Branding Colors: If you have specific colors associated with your brand, try to incorporate them into the photo. Consistent branding helps with recognition and establishes a cohesive visual identity for your channel. Eye Contact: If possible, choose a photo where the person is making direct eye contact with the audience. This fosters a connection and makes the content more relatable. Unique Element: Consider adding a unique element that sets your channel apart. It could be a prop, a specific pose, or a subtle emblem related to motivation and success.
Prompt: Year:1961. Formal portrait. High detail, Canon EOS DSLR photograph. UHD, 8K resolution, sharp focus, full color, intricately detailed and extremely close up intimate facial portrait of a stylish, age 39 wife in 1961, showcasing her mid-length, dark blonde hair, generously and profusely highlighted with silvery shades. She coyly smiles at you, the viewer. Her very thick, luxuriant, richly textured hair fills the viewing frame and is delicately arranged in a sleek, smooth, very lofty, very highly voluminous, straight, avant-garde, bouffant updo. She has bold, glamorous makeup. Solid, light colored background. Accurate 1961 styling.
Negative: (earrings: 1.6) outdoors, outdoor setting, loose tendrils of hair, jewelry, hair beyond camera view, cropped hair, tiara, orange colors, black and white image, nudity, NSFW,
Style: Photographic
Prompt: a man ,Step into the surreal world of a man who defies the boundaries of reality, an enigmatic figure where imagination transcends the ordinary, and the extraordinary becomes the norm. Meet the surreal gentleman whose existence blurs the lines between dreams and waking life, a visionary of a new era, where possibilities are infinite and the mind is a boundless universe
Prompt: The tall and handsome CEO, wearing this decent formal suit, leaned on the black luxury car and waited for his companions, which also attracted many girls to watch.
Prompt: Very well dressed man who looks serious with money everywhere without abusing so much he is rich
Prompt: Very well dressed man who looks serious with money everywhere without abusing so much he is rich
Prompt: a sophisticated, mature man. He has a debonair and somewhat mysterious aura, with a confident, yet enigmatic expression. His hairstyle is neat and classic. He is wearing a tailored suit or a stylish trench coat, fitting for a spy. His demeanor is calm and composed. The background is an urban environment or a location that suggests espionage and intrigue.
Prompt: The bank heist was an affair of considerable complexity and coordination, executed with an almost surgical precision. The perpetrators, with their movements spookily robotic, seemed like automatons of some sort, moving as one in a singular chain, their eyes ablaze with a manic intensity. They worked like artisans, the clicking of their tools the only sound amidst the eerie silence of the bank interior. It was as if artfulness could be discerned even in the delivery of such a heinous act. The security staff, caught off guard, were powerless to resist as the robbers made their way towards the main vault, their eyes feverish and their sighs agitated. It was like watching a group of predators in the act of a kill, hypnotic in their power and inexorable in their intention. They came, they saw, they conquered. And yet, for all their artistry, they were unrepentant criminals, their actions a testament to the dark and deadly impulses lurking beneath the veneer of polite society. (extreme micro-halftoning, pointillist, crosshatched, emanuele dascanio, ilya kuvshinov, nychos, brandi milne, isabel samaras, sas christian)
Prompt: The bank heist was an affair of considerable complexity and coordination, executed with an almost surgical precision. The perpetrators, with their movements spookily robotic, seemed like automatons of some sort, moving as one in a singular chain, their eyes ablaze with a manic intensity. They worked like artisans, the clicking of their tools the only sound amidst the eerie silence of the bank interior. It was as if artfulness could be discerned even in the delivery of such a heinous act. The security staff, caught off guard, were powerless to resist as the robbers made their way towards the main vault, their eyes feverish and their sighs agitated. It was like watching a group of predators in the act of a kill, hypnotic in their power and inexorable in their intention. They came, they saw, they conquered. And yet, for all their artistry, they were unrepentant criminals, their actions a testament to the dark and deadly impulses lurking beneath the veneer of polite society. (extreme micro-halftoning, pointillist, crosshatched, emanuele dascanio, ilya kuvshinov, nychos, brandi milne, isabel samaras, sas christian)
Prompt: The bank heist was an affair of considerable complexity and coordination, executed with an almost surgical precision. The perpetrators, with their movements spookily robotic, seemed like automatons of some sort, moving as one in a singular chain, their eyes ablaze with a manic intensity. They worked like artisans, the clicking of their tools the only sound amidst the eerie silence of the bank interior. It was as if artfulness could be discerned even in the delivery of such a heinous act. The security staff, caught off guard, were powerless to resist as the robbers made their way towards the main vault, their eyes feverish and their sighs agitated. It was like watching a group of predators in the act of a kill, hypnotic in their power and inexorable in their intention. They came, they saw, they conquered. And yet, for all their artistry, they were unrepentant criminals, their actions a testament to the dark and deadly impulses lurking beneath the veneer of polite society. (emanuele dascanio, ilya kuvshinov, nychos, brandi milne, isabel samaras, sas christian)
Prompt: The bank heist was an affair of considerable complexity and coordination, executed with an almost surgical precision. The perpetrators, with their movements spookily robotic, seemed like automatons of some sort, moving as one in a singular chain, their eyes ablaze with a manic intensity. They worked like artisans, the clicking of their tools the only sound amidst the eerie silence of the bank interior. It was as if artfulness could be discerned even in the delivery of such a heinous act. The security staff, caught off guard, were powerless to resist as the robbers made their way towards the main vault, their eyes feverish and their sighs agitated. It was like watching a group of predators in the act of a kill, hypnotic in their power and inexorable in their intention. They came, they saw, they conquered. And yet, for all their artistry, they were unrepentant criminals, their actions a testament to the dark and deadly impulses lurking beneath the veneer of polite society. (headshot, closeup, emanuele dascanio, ilya kuvshinov, nychos, brandi milne, isabel samaras, sas christian)
Prompt: The bank heist was an affair of considerable complexity and coordination, executed with an almost surgical precision. The perpetrators, with their movements spookily robotic, seemed like automatons of some sort, moving as one in a singular chain, their eyes ablaze with a manic intensity. They worked like artisans, the clicking of their tools the only sound amidst the eerie silence of the bank interior. It was as if artfulness could be discerned even in the delivery of such a heinous act. The security staff, caught off guard, were powerless to resist as the robbers made their way towards the main vault, their eyes feverish and their sighs agitated. It was like watching a group of predators in the act of a kill, hypnotic in their power and inexorable in their intention. They came, they saw, they conquered. And yet, for all their artistry, they were unrepentant criminals, their actions a testament to the dark and deadly impulses lurking beneath the veneer of polite society.
Prompt: A humanoid pig, obese and arthritic. His belly protrudes outward, with a bald head adorned with a few stray hairs. His jaw is hypertrophied, so shiny that it seems to ooze melted grease. Flabby cheeks and love handles hang down, and his skin appears oily. In stark contrast, he is dressed in a suit and smokes a pipe. He is the mayor of a city.
